The first thing you will notice and are attracted to the viewer

The first thing you will notice and are attracted to the viewer's eye in the masterpiece Baz Luhrmann this - whether liked or not - is the momentum and dazzling visual and tonal non unusual even for this kind of film, this is natural and logical Florman no secret influenced by Indian cinema with all its reviews and flashier colors and visual, but what made this momentum and dazzling thing Khalid and great?
The film begins with a shot Agelbha melancholic character of the streets of Paris, we see the faces bleak no pulse in any life, moments torre maizza later we return flash buck to the same streets again, but the nature of delightful and vibrant this time, choose Luhrmann for the story of his simple time and place is absolutely right, the end of the century and the beginning of a new century, a revolution bohemian invade the world, revolution sanctifies and breathe slogans of freedom, beauty, truth and love, and our hero decides to leave the village, which sees them as the embodiment of a prominent to those principles with the knowledge that he did not give any experiences in his life, in the past Allqttin mentioned therein see the same faces and streets, torre maizza very clever visual trick to illustrate the distinctive character of that time period, and booted a strong visual form and tragic, which will end the film.
We return to the form of visual dazzling adopted by the film, the film ultimately is a romantic torre maizza melodrama simple ends a tragic end, Baz Luhrmann pumped all possible colors on the bar's as befitting a film melodramatic adopted basically amplify emotions and drawing figures coexist in its own framework, we note Of course, the proliferation of red color in the film, it is possible that color signal torre maizza to a lot of contradictory emotions from lust to love to the disease to the revolution to anger to jealousy, for example red dress she wore Satine first time to meet with Duke, color here initially refers to lust and temptation, when misunderstandings occur and unique Satine Pkristaan instead of Duke do not see the dress him in reference to the absence of purpose at first, then growing scene - Like the movie as a whole - to a piece of music unsung Christian Red and here again appears to strongly signal the start of a spark love between them, dating back Satine then to wear the dress again and served with Christian music track, which starts with the story of a great love, great Almilodramyat exploit the colors and lighting a way that serves and feelings of heroes Statistics show even if it came to the point of excessive use them, we of course in the great Douglas Circus ideals torre maizza strongest and greatest, the dexterity in the use of film colors in the House of Commons is to use the same color to express torre maizza different feelings and contradictory, even if in the same scene is way up, of course, to the public and spoke to have the desired effect, the degree of extravagance chromatography peaks In the final review, it is the nature of the airspace of India is the pumping all that is possible colors: blue, red, white, and others, to varying degrees and blending results in other color forms, torre maizza dramatic full of this review a lot of twists and Altsaaadat and can not in any way means separation sequences same review for Tsaaadat drama itself up to the climax death Satine, torre maizza untangling colors and lighting torre maizza here up to the degree of complexity with sharpness in shifts feelings, color scheme intense here not only suffice in conjunction Bmiloudramah torre maizza the same story, but had a strong influence in achieving approach spectacularly concert film by himself, can not in any way separate what you see your eyes what your ears hear a way that makes your mind completely satisfied with what I saw.
Baz Luhrmann depends visually style unusual in musical films, besides the colors intensify and plentiful, come sequences Performing and singing here pace breathless breathtaking, First, it provides those sections in the form of many shots and a short time frame and different angles photography, secondly pumped in Those shots are tons of detail and color kinetic make it up something fun and exciting and by the amount of adrenaline are ok, III makes an attempt to dismantle those details is a re-watch suck the viewer the same fun effort that went by the first viewing, Fourth All Movie Reviews and songs by the high degree of complexity to the level of imagination and execution Vmsahat places are limited and details many, this was evident strongly since the beginning of the film, and with the first entry for us in the Moulin Rouge, where he reviews Zeidler and Vtyate all what can happen inside the club, That relay really fatigued; deadbeat in imaginable and in its implementation and to enjoy it, like you're trapped inside the small elevator with a full band Circus as Roger Ebert said in an article about the film.
Audio tape there musical tones continuous uninterrupted whether those reviews and songs, was a musical breaks between scenes, does not abide by Luhrmann never here the nature of the musical situation in that period and not even submit songs written specifically for the film, is committed in the end, the principles of the bohemian revolution where freedom from all fixed, it is not surprising, then, that uses the songs of Bob, for example, from the eighties and provided the voices of their representatives, and even controls the E.